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Author: Antonello.art

This author has written 112 articles
Read more about the article Throwback: Why did a ‘Botticelli in der Art’ Sell for CHF 6.4 Million in Zurich?
Auction Alerts

Throwback: Why did a ‘Botticelli in der Art’ Sell for CHF 6.4 Million in Zurich?

On 28 June 2019, Schuler Auktionen in Zurich offered a small Florentine portrait of a young man with an estimate of just CHF 5,000-7,000. The auction house explicitly did not…

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September 11, 2026
Read more about the article What Did the Bidders See? Collier, Breenbergh and Two Bidding Wars at an Auction in Lyon
Auction Alerts

What Did the Bidders See? Collier, Breenbergh and Two Bidding Wars at an Auction in Lyon

A 19th-century still life ‘in the manner of’ Edwaert Collier, estimated at €300-500, brought €30,000 on 5 September. A small copper work after Bartholomeus Breenbergh rose from €400-600 to €9,000…

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September 7, 2026
Read more about the article More Than a Number, What Müllenmeister’s Catalogue Raisonné Really Tells Us About a Painting by Roelant Savery
Market Notes

More Than a Number, What Müllenmeister’s Catalogue Raisonné Really Tells Us About a Painting by Roelant Savery

Anyone researching a painting by Roelant Savery will almost inevitably encounter Kurt J. Müllenmeister’s critical catalogue raisonné of 1988 and its 1991 supplement. Yet recent auctions show why simply finding…

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September 7, 2026
Read more about the article No Catalogue Raisonné, Yet a Market Standard: How Is Vermeyen Attributed?
Market Notes

No Catalogue Raisonné, Yet a Market Standard: How Is Vermeyen Attributed?

For the paintings of Jan Cornelisz. Vermeyen (c. 1500-1559), there is no modern catalogue raisonné. Yet the international art market follows a consistent pattern in which Friedländer, Horn, expert opinions…

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September 6, 2026
Read more about the article Why Was This €2,000 Portrait Withdrawn? The Batoni Question Behind Lot 64
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Why Was This €2,000 Portrait Withdrawn? The Batoni Question Behind Lot 64

It initially looked like a modest Old Master lot in the forthcoming sale of the Gerolamo Etro collection: a large eighteenth-century portrait of a man, attributed to an anonymous Central…

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September 4, 2026
Read more about the article Roelandt Savery, or Not? A Hunting Scene with a Long Attribution History
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Roelandt Savery, or Not? A Hunting Scene with a Long Attribution History

On 15 September, Artcurial in Paris will offer a small oak panel depicting a hunting scene as attribué à Roelandt Savery. The estimate is just €3,000-4,000. More interesting than the…

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September 4, 2026
Read more about the article The Authority of a Single Book: Why Bertier de Sauvigny Still Shapes the Grimmer Market
Market Notes

The Authority of a Single Book: Why Bertier de Sauvigny Still Shapes the Grimmer Market

More than thirty years after its publication, Reine de Bertier de Sauvigny’s catalogue raisonné of Jacob and Abel Grimmer continues to appear with striking regularity in auction catalogues. Sometimes it…

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September 1, 2026
Read more about the article The Price of Provenance, Why Recent Auction Sales Are Becoming Increasingly Visible in the Old Master Market
Market Notes

The Price of Provenance, Why Recent Auction Sales Are Becoming Increasingly Visible in the Old Master Market

Buying a painting at a regional auction, researching it, cataloguing it more accurately and subsequently offering it to a broader audience. It is the classic way of working in the…

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September 1, 2026
Read more about the article A Catawiki ‘Circle of Carlo Dolci’ That Points Stylistically to Sixteenth-Century Spain
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A Catawiki ‘Circle of Carlo Dolci’ That Points Stylistically to Sixteenth-Century Spain

In early September, Catawiki is offering an unsigned Ecce Homo on panel as “Circle of Carlo Dolci,” with an estimated value of €1,600–2,000. The visible quality is striking, but something…

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September 1, 2026
Read more about the article From €150 to €1,400, Why This Small Rembrandt Lot Is Attracting the Attention
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From €150 to €1,400, Why This Small Rembrandt Lot Is Attracting the Attention

A panel measuring just 21.5 by 17.5 centimetres, cautiously catalogued by Hargesheimer as “probably workshop or school” of Rembrandt and possibly a self-portrait, has already attracted considerable bidding ahead of…

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August 30, 2026
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