Antonello.art is an art-historical platform dedicated to sharing its knowledge of the art market and the auction world with a broader audience. We do so through auction alerts, market analyses, in-depth articles, and artist biographies, always with a particular focus on the art trade and recent auction results.
In addition, we aim to provide a historical overview of the art market as a whole by making information that is often difficult to access more readily available. This includes, among other things, historical auction results and information on art dealers and galleries that is frequently scattered across different sources and not yet available in one central place.
- An Impressive Mountain Landscape by Tobias Verhaecht with a Modest Estimate
- Why did this small ‘Studio of Rembrandt’ panel fetch £33,000 against a £2,500 estimate?
- Why are bidders already pushing this anonymous Quattrocento Madonna above its estimate before the auction?
- The Old Master Market Is Getting Tougher. Top Quality Draws Fierce Bidding but Doubt Goes Unsold
- Why did this Savery workshop painting stall at €25,000?
- Decorative ‘The Hunter as the Hares’ Prey’ Fetches £63,000 Without a Major Name Attached
- An Early 18th-Century VOC Document Casket Made for Abraham van Berlecom Comes to Auction with a £4,000-6,000 Estimate
- Why Did a ‘19th-Century’ Portrait of Charles d’Amboise Hammer at €15,000?
- A Fine Habsburg Court Portrait of Isabella Clara Eugenia from a French Château
- Throwback: From ‘Circle of Van Dyck’ to Rubens, How a Swedish Sleeper Returned in Full Glory
- Throwback: Why did a ‘Botticelli in der Art’ Sell for CHF 6.4 Million in Zurich?
- What Did the Bidders See? Collier, Breenbergh and Two Bidding Wars at an Auction in Lyon
